Luisa Imorde has searched for clues in order to place selected Brahms works in their very own historical context: What did Brahms draw on? Which compositions did he know himself? And how do musical references unfold their very special effect over the course of history?
Release: NOVEMBER 8th 2023
Image: © Stefan Schilling
Moon Rainbow
World Piano Day ❤️
#worldpianoday #busoni #bachbusonichaconne #happypianoday #luisaimorde
Letztes Wochenende glücklich mit dem @koelner.kammerorchester und dem wunderbaren @christophpoppen in der @koelnerphilharmonie.
Eines meiner absoluten Lieblingskonzerte von Mozart: Nr. 20 d-Moll, KV 466.
💃 Zum Weltfrauentag habe ich im letzten Satz natürlich Clara Schumanns Kadenz spielen müssen. Hat sie jemand erkannt? 😏
Danke @boesendorferofficial und @schoke_fluegel_pianos für den wunderbaren Flügel 🙏
Wo seid ihr, @koelner.kammerorchester und @christophpoppen ?
Sonntag, 8. März, 16 Uhr, Kölner Philharmonie!
“The relaxed way of dealing with emotionality in the playing of the pianist is thrilling. She combines a mature technique with an overwhelming passion for the piece and her instrument to an auditory experience that ignites the spirit and enflames the heart.”
• Süddeutsche Zeitung •
“Luisa Imorde couples a mature playing technique with an unbridled passion for the piece she is playing and the instrument she is playing it on, resulting in an auditory experience that kindles the spirit and sets the heart aflame” – said the Süddeutsche Zeitung of the young German pianist’s art.
She shares stage with artists like Martha Argerich, Fazil Say or Marie-Luise Neunecker and collaborates on a regular basis with german composer Jörg Widmann. She studied at the University of Music in Cologne and at the Mozarteum Salzburg with Jacques Rouvier.
11:15 AM – 1:00 PM Oldenburgisches Staatstheater. Theaterwall 28, Oldenburg.
12:30 PM – 2:00 PM Wiener Konzerthaus, Schubertsaal. Lothringerstrasse 20, Vienna.
"POLYCHROMIE"
On her new album "Polychromie", which will be released on 06 May 2022, the young German pianist Luisa Imorde lets two composers from France enter into dialogue - François Couperin and Olivier Messiaen.Just as Le Corbusier knew how to bring contrasting colours into perfect harmony with his "Polychromie Architecturale", a similar effect is revealed here: the colours of sound are, as it were, complementary to each other - in a perfectly balanced polychromy.
"Moon Rainbow"
Pianist Luisa Imorde loves innovative combinations: following on from circus dances by Schumann and Widmann and the affair of honour between Woelfl and Beethoven, she now prepares to cast light on Johann Sebastian Bach and Nikolai Kapustin.
"L’AFFAIRE D’HONNEUR"
1798: Two titans of music meet for a competition of a special kind. Luisa Imorde revives this musical trial of strength at the piano.
in 2018
